Science Addiction

A dormant blog by Devanshu Mehta

Tag: Free Culture

The Continuing Adventures of WorldCat: Conditions, not Restrictions

I won’t blame you if you haven’t been following the librarian/blogosphere coverage of the new OCLC/WorldCat use policy. Long story short: OCLC, the non-profit that controls the database of books that most libraries use and contribute to just released a new policy that makes reuse a lot more restrictive. There has already been a lot of Orwellian, corporation-like and pre-Internet thinking from the OCLC. Now for some more.

The OCLC released the newest version of the policy, but only as a PDF. Library-bloggers had already run ‘diff’s on previous HTML versions to see how each successive version changed, but now with the differently formatted (and harder to manipulate) PDF, the OCLC must be clicking their telegraphs in joy at how they foiled the new-age blogger librarians. Not so fast.

There’s already a ‘diff’ with the new version– and it gets more Orwellian. Instead of any change in actual policy, the newest version simply replaces every occurrence of the word ‘restriction’ with ‘condition’. Oh, that makes it so much better.

ALSO: the OCLC policy is nothing like Creative Commons, so I would advise them to stop making that comparison. CC does not require approval for reuse.

icanhazworldcat

UPDATE: I can haz Worldcat?!?

On Community-Based Collaboration: Lesson From the OCLC Debacle

Community-based collaboration or “Crowdsourcing” has become the buzzword in many industries- the idea that by fostering a community, you can solve many major problems through their collective wisdom without actually hiring people with… wisdom. Linux, Wikipedia, the recent Twitter Vote Report and many other projects are often cited as successful examples of this.

The nonprofit OCLC has a membership of over 69,000 libraries around the world. These libraries collaborate to create a database– WorldCat— of bibliographies that all the member libraries can use. It is a great system– or at least it was, until the recent introduction of their upcoming use policy. The two major concerns- via Terry’s Worklog– were:

  1. OCLC would require the license to be placed within the record. This takes the ownership of records away from the library and since it is only a link to the license, the license could be changed at any time without the knowledge of the linking library.
  2. WordCat data could not be used for creation of services– even non-profit– that may compete with it.

The first concern has been largely alleviated in a recent version of the OCLC FAQ, but the second one remains. Who really owns the database? Since it only applies to libraries who are members of OCLC (in contract), what prevents someone else from creating a competing service? And finally, can you really copyright a database?

There are many projects out there, like OpenLibrary, that are trying to create a truly open, non-commercial database of books that would run afoul of this clause. In reality, the problem is not in whether it will be enforced but in that this organization believes it is more than the sum of its parts. That OCLC– not its members– controls how and where the data should be used- data that was created by its members.

This is where OCLC is different from free and open source projects like Linux, Wikipedia and every Creative Commons or GPL licensed copyrighted work. There is no right to fork.

To everyone who contributes to community projects:

Always reserve the right to fork.

That is to say, you should always be able to take the marbles and go home. To fork, in open source projects, means to take all the code/data and create another project. This is made possible by the inherent “free”ness of GPL, CC, GFDL and other licenses. Many open source projects have been forked in the past because a sufficient chunk of the community didn’t like the rules they were being asked to comply with. Nobody controlled the code, so everyone controlled the code.

However, in the case of the OCLC debacle, via Annoyed Librarian:

To use a prison metaphor, it’s clear that librarians dropped the soap decades ago.

Or Stefano’s Linotype:

Basically, by using OCLC’s data you agree to protect their existence. And their monopoly (nobody else in the world does what they do, at the scale they do it). And with data that they didn’t even create.

In a time when everyone is using search engines as their first stop in finding answers, closing WorldCat further is a major step backwards. Like many other old-world companies, the OCLC is trying to remain relevant in the face of major paradigm shifts- in this regard, it is much like the Associated Press, which is losing relevance and support from member libraries (thanks Edward Vielmetti). If this was a commercial enterprise built by a million highly paid employees, it would make no difference what they did with their data. But this is a non-profit built on the backs of its members contributions.

As Princess Leia said:

The more you tighten your grip, Tarkin, the more star systems will slip through your fingers.

Resources:

Lessig’s Remix

Larry Lessig

Lawrence Lessig

I will pick up Lawrence Lessig’s newest (and last) book on intellectual property- Remix: Making Art and Commerce Thrive in the Hybrid Economy– pretty soon.

For more than a decade, we’ve been waging a war on our kids in the name of the 20th Century’s model of “copyright law.” In this, the last of his books about copyright, Lawrence Lessig maps both a way back to the 19th century, and to the promise of the 21st. Our past teaches us about the value in “remix.” We need to relearn the lesson. The present teaches us about the potential in a new “hybrid economy” — one where commercial entities leverage value from sharing economies. That future will benefit both commerce and community. If the lawyers could get out of the way, it could be a future we could celebrate.

Lessig also recently wrote an article called “In Defense of Piracy” (a pretty strongly worded title) for the Wall Street Journal, where he proposes the following five changes to copyright:

  • De-regulate the amateur remix.
  • De-regulate the “copy”. Instead, focus on the uses- in a digital world, we are making copies all the time.
  • Simplify
  • Restore efficiency
  • Decriminalize Gen-X

The article is typical Lessig- clear, concise and powerful. His book should also be available as a Creative Commons licensed online version on the book’s site soon. Which reminds me… I need to write about Markos Zuniga’s (of DailyKos) Taking On the System, which I recently finished (in short: good book).

Why This Blog is CC Licensed

by-nc-sa.png

You may not have noticed it (how dare you!), but this blog is licensed CC-Attribution-NonCommercial-ShareAlike. This means:

You are free to:

  • Share– copy, distribute, transmit (send it to your enemies!)
  • Remix– adapt the articles (I’m waiting for the musical)

Under the following conditions:

  • Attribution– You must attribute it to me.
  • Noncommercial– You may not use it for commercial purposes.
  • ShareAlike– If you alter, transform or build upon this work, you may distribute the resulting work only under the same license.

So why did I choose this license?

  • To paraphrase Cory Doctorow, the only thing worse than an author who’s work is pirated is an author who’s work is not read. So share!
  • The Internet isn’t one-way. It is interactive. There is an archaic notion that my job is to write this blog and your job is to read. You and me are standing on the shoulders of giants. On the Internet, you stand on my shoulders, I’ll stand on yours and we’ll make one weird circus freak. So adapt and remix!
  • I have an ego, and I don’t like people taking credit for my work. So attribute (to me)!
  • Stand on my shoulders if you want, but don’t sell tickets to it (without my permission). So non-commercial! This is basically so that no one is making money off me without my knowledge. When asked, I’ve been known to give permission.
  • And clearly, I can’t let you share and remix my work, but then allow you to prevent further sharing and remixing. So share alike!

You’re free to use this license (or one of the many others Creative Commons has written) for any of your creative works. There’s even a comic (CC-licensed of course) to explain all the licenses.

Science Addiction Referenced in a Law Paper

No kidding. The paper (by Gary Pulsinelli) is about the ownership rights of artistic works among goblins in JK Rowling’s Harry Potter and the Deathly Hallows. Last year, I had noted that they sounded a lot like the RIAA/MPAA/ MAFIAA. This paper has a different take, but tips its hat to this blog post and the reader comments. If you read the paper, it is in footnote #29 on page 5.

Daniel Plainview on Free Culture

Daniel Plainview’s “I drink your milkshake” line from “There Will be Blood” has gained a lot of pop-culture traction lately (most famously on SNL). While he wasn’t directly talking about the remix culture, it’s great to hear artists that understand that the more they get “slagged” the better it is for culture (and them). Here’s Daniel Day-Lewis:

“If people absorb something you’ve done… and people can make something else out of it, that’s delightful to me. I come from two cultures – England and Ireland – where there’s a long tradition of… we call it slagging in Ireland, taking the piss in England, and if you can offer up something that people can slag you for, they’re always grateful for that.”
[From IMDb]